Saturday, March 6, 2010

What Is Better A 150 Or A 85 Dirtbike

Juggling Progress II



Names
Prints Puzzles impossible to reverse
medals
Writings on all tides
inert in living memory
From the bark of trees
Initial volatile that Turning up
mill about themselves
Tornados that disruptive daytime meteors
fully bitters
sky explode and empty glasses of darkness closed
Spitting what we what we are whole streets
Paving A burned bodies
always
hymns are timeless laments Source
evenings
is why we sing when night falls
and clutch a declining
necklaces that look for young throats
lamps in your heartbeat naval
Huyen
urgently
by strange roads do not know if
waterways may subtract to open a window to transport
summers naked
stations Forward
a destination of bread and horse rider
countryside between meadows of silence
For ascends the
burning smoke in cities
Smoke
Back hotbeds of caves and lava
Moldes de lentitud espantosamente erguidos
Atrás el lastre de los rostros  De la escuela
Que promulga que el perdón ha de ganarse
Sentándote sobre tus propias espinas
Lucen en catacumbas como ilustres osarios
Nombres entumecidos    Una vez y otra
Y dejas que solloce implacable la mirada
Ante su belleza congelada e hiriente
Ah si pudieras lavarte como las manos la memoria
Esa estatua venerada      Inexpugnable
Sobre el mismo presente y el mañana About our courage
destroyed
Filling with scorn and trifles
Mesitas cafes, vegetable peel
routes in our beloved Formerly
virgin Surprisingly
Depart from your desk sky Here
Umbrella with nerves salt and blood Let it rain
names in your dream saddest
Let the tears in their wake
Dilute mouth sewn for the stone
to flourish even astonished laughter
Released Arrogant profitably


[Photo by Berenice Abbott]


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